Ilya Schor

Ilya Schor

Ilya Schor

Ilya Schor, 1940s

April 16, 1904

June 7, 1961(1961-06-07) (aged 57)
New York City

Known for
Painter, Jeweler, Engraver, & Sculptor

Ilya Schor (16 April 1904, in Zloczow – 7 June 1961, in New York City) was a multi-faceted artist, a painter, jeweler, engraver, sculptor, and renowned artist of Judaica.


1 Early life
2 Later life and work
3 Gallery
4 Bibliography
5 External links

Early life[edit]
Ilya Schor was born in Zloczow (Galicia), in the Austrian Empire, later Poland, in 1904. He came from a deeply Hasidic family. His father Naftali Schorr was a folk-artist, painting colorfully illustrated store signs for local merchants. Ilya Schor first trained as an apprentice in metalcrafts and engraving before enrolling at the Warsaw Academy of Fine Arts in 1930 where he studied painting. In 1937, he was awarded a grant by the Polish government to study in Paris. He exhibited successfully at the Salon d’Automne in 1938. Ilya Schor and his artist wife Resia Schor immigrated to the United States in December, 1941, from Marseilles, via Lisbon, after fleeing Paris in late May 1940. Ilya Schor and Resia Schor had two daughters, born in New York City: artist and writer Mira Schor (b. 1950) and noted literary scholar and theorist, Naomi Schor (1943–2001).

Ilya Schor, 1960, photo Ryszard Horowitz

Later life and work[edit]
In New York City, Ilya Schor began artwork that would keep fresh his memories of life of the Jews of the shtetls of Eastern Europe, working in the many materials and with the numerous skills at his disposal. He worked on major commissions for synagogues in the United States. Schor’s wood-engraving illustrations for The Earth is The Lord’s and The Sabbath, both important writings by the renowned philosopher and theologian, Rabbi Abraham Joshua Heschel, and for Adventures of Mottel The Cantor’s Son by Sholem Aleichem, have remained in print for over fifty years. Rabbi Heschel wrote of Schor’s work, “In the stillness of the precious images Ilya Schor has called into being, generations to come will hear the voice and the spirit of eternal Israel, the inwardness and piety of our people of Eastern Europe.” Schor was also the creator of unique jewelry and small Judaica objects in silver and gold. In later years he also worked on abstract sculptures in brass and copper.
His work was exhibited at The Salpeter Gallery in New York 1953, the Museum of Contemporary Art in